The Humanities Toolkit
Essays on Method and Theory in the Humanities
Decoding the Past: Epigraphy and Decipherment


Epigraphy refers to the study of writing systems in general, and to ancient writing systems more specifically. In some cultures, the only people who knew how to write died off and left behind the systems they had used, requiring specially trained scholars and linguists to decode the system in order to read the remaining texts.

Egyptian hieroglyphs are a good example of a system that had to be deciphered before we could begin to understand the culture in any depth. With the help of the Rosetta Stone (which contained a text written in two forms of Egyptian as well as in Greek), Jean François Champollion, Thomas Young, and others were able to decode the message and begin the long process of deciphering the writing system itself. Epigraphers are fortunate in that human languages follow very strict and quite regular grammatical and syntactical rules; these linguistic regularities, and the understanding of the history of languages, make decipherment possible in most cases where the language that was written down is known, and where enough written texts are available. Some scripts, like Cretan Linear A, are undeciphered because linguists are not sure what language it represents, and because the number of texts is limited. Michael Ventris, who discovered that another Cretan script (Linear B) actually represents an early form of Greek, was only successful because enough examples of the script were available--and because he suspected (contrary to what most of his contemporaries thought) that the language represented might actually be Greek. (For some images comparing Linear A and Linear B, click here.)

A brief history of writing

Human beings have attempted to create a permanent record of their thoughts, observations, surroundings, etc. for at least the last 30,000 years. The earliest of these records appear in the form of paintings and drawings on rock surfaces, and also as calendars. One interpretation of the purpose of cave paintings, in fact, suggests that our ancestors kept track of the migrations of flocks and herds by creating their images on cavern walls. Calendars make good religious and agricultural sense in cultures whose livelihood depends on remembering when a certain animal will appear after a winter migration, or when to plant a particular crop. And when populations increase, with the resulting increase in social and economic complexity, keeping account of various kinds of transactions becomes imperative.

It is not surprising, then, that the first writing appeared in neolithic cultures such as those that arose in the Indus River valley, Mesopotamia, along the Nile, and in China, where agricultural success led to rapid economic and political development. In all of these locations, writing systems began to emerge around 5,000 years ago. With the inception of full systems in a variety of forms--from pictograms to syllabaries to alphabets--the "information age" truly began. The resulting accumulation of information that led to increasingly rapid technological innovation changed the world dramatically and irrevocably.

Pictograms and ideograms

The earliest writing systems depended on signs which referred to a concept, rather than on words that represented the concept itself. For instance, a picture of a sun might signify the concept of light or of warmth, or it might represent the sun itself. Both Sumerian cuneiform writing and early Chinese are examples of pictographic systems that evolved into ideographic forms. The limits of logographic ("word picture") writing become obvious when we consider the potential size of a system designed to depict a language with a very large vocabulary. One reason the Chinese, who invented moveable type in the early 12th century AD, never made significant use of it, is that their largely ideographic system was simply too large to make typesetting practical. But the major problem with logographic writing arises from ambiguity; if a single sign can represent several different ideas or objects, clarity becomes difficult to achieve. Because of this, most logographic systems eventually evolved naturally into syllabaries.

Rebuses

All true writing attempts to reproduce sounds. A significant step in the development of full writing systems occurred among the Sumerians and Egyptians who began to use pictograms not simply as representations of objects, but of the sounds that made up the object's name. Today, rebuses are used primarily as a children's game. But the television game show Concentration also required contestants to solve puzzles that consisted primarily of rebuses for common sayings and clichés.

Syllabaries and alphabets

To avoid the limitations of logographic systems, which use a single sign for each word, a more complete, or "full" writing system must maintain a fixed correspondence between the signs and elements of the language it represents. Syllabic systems, such as Cretan Linear B and modern Japanese, have signs for each different syllable that occurs in the language; alphabetic systems, like English, contain signs for each separate sound in a language.

Economy and clarity seem to be the forces behind the development of syllabaries. By using a single sign for a particular sound, writers could use far fewer signs and assure their readers of much less ambiguity. Whereas a logographic system might require a minimum of 500-600 signs, a purely syllabic system might need only 100. Syllabic writing, because it is purely phonetic, reduces ambiguity by indicating how each word is to be pronounced.

Syllabaries consist of both consonant-only and consonant-plus-vowel systems. Each sign in Cretan Linear B, for example, represents a consonant-vowel combination. Ancient Hebrew was a consonant-only system that relied heavily on context; the reader could only tell what vowels followed the consonants by understanding the context of the message. The ancient Hebrew verse from the Song of Songs that means "This is my beloved, this is my friend," written without vowels can also be read as "This is my uncle, this is my shepherd." Modern Hebrew attempts to correct this difficulty by adding vowel signs.

During the so-called "dark ages" in Greece, after the fall of Mycenaean civilization, the syllabary known as Linear B was lost; but soon after 1000 BC, the Greeks borrowed the Phoenician writing system, divided the consonants from the vowels, and invented the first alphabet (named after its first two letters, alpha and beta--or alef and bet in the Semitic Phoenecian system). To form the vowels, the Greeks adapted five Semitic sounds for which there were no equivalents in Greek: alef, a; hey, (epsilon) e; yodh, (iota) I; ayin, (omicron) o; and vav, (upsilon) u.

Further research: Look into the history of a writing system such as Egyptian or Mayan hieroglyphs, or Cretan Linear B. As you do, consider the importance of writing in our own culture and in the history of cultures in general. Although oral traditions have always played a significant role in cultural life, imagine what life might be like without writing. What kinds of technologies might exist if we relied primarily on our own memories and voices to transmit information? Does writing inevitably develop along with increasing complexity in political and socio-economic systems?

Consider as well the impact of writing on human consciousness and cultural evolution. How does the introduction of writing alter the way in which human beings communicate? How have writing technologies influenced the development of our culture(s)? The concept of literacy has become one hallmark of civilization. How did the invention of moveable type and the wide distribution of books help this concept to develop? In terms of the future, how will the newer technologies--computers in general, and hypertext in particular--affect the way we conduct human discourse?

Sources

Most of the content of this essay is derived from long experience in this field, and I've forgotten where most of my information comes from. However, two books on my shelf are good places to start:

James, Peter and Nick Thorpe. Ancient Inventions. New York: Ballantine, 1994.

Jean, Georges. Writing: The Story of Alphabets and Scripts. New York: Abrams Discoveries, 1992.

The Kelley Library has recently acquired quite a number of books on the history of writing and various scripts; be sure to take advantage of these new holdings.

Related sources can also be found on the Book Arts links page.

Further reading

Drucker, Johanna. The Alphabetic Labyrinth: The Letters in History and Imagination. New York: Thames and Hudson, 1995. P 211 .D75 1995

Humez, Alexander and Nicholas. Alpha to Omega: The Life and Times of the Greek Alphabet. New York: David R. Godine, 1981.

Martin, Henri-Jean. The History and Power of Writing. Translated by Lydia G. Cochrane. Chicago: University of Chicago Press, 1994.

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Further Resources

The Origins of Writing

Art Through Time: Writing.

This page on Tokens--the origin of mathematics discusses Denise Schmandt-Besserat's theory about the common origins of maths and writing. But even better: her own article on Accounting with Tokens in the Ancient Near East (images at the bottom of the page).

History of Writing This page provides a succint historical overview, and is especially helpful if you missed the lecture.

The Annenberg/CPB Project "Out of the Past" includes a segment called "Signs and Symbols" which considers the factors that cause writing to arise in cultures separated by distance--both temporally and geographically. In order to view it, you have to register, but it's free and you can view it on your computer. It's a bit long--about an hour--but offers some real insights into why cultures begin to write in the first place, and then what happens if writing is restricted to a few. The Kelley Library also has a copy of the film.

"Who Began Writing? This 1999 article from Science magazine summarizes recent research into the history of writing systems.

History & Development of Writing Systems
 is another summary page which includes a number of systems; the in-your-face design may be a bit overwhelming, but it's been recently updated and has features that other pages lack.

History of Writing from History World ("An ever expanding history resource to help history make sense"); the page is currently incomplete, but so far the information seems solid, and it's nicely arranged.

Wikipedia's History of Writing page does an excellent job of laying it all out (as we currently understand it), with updated links. There are also subsections on writing in specific languages, and links to related topics.

The Why Files (Science Behind the News) from the University of Wisconsin is a terrific site for a lot of reasons, but it also features a collection of pages on the history of writing and its impact on civilization; it's called The Write Stuff.

The drive to discover the "first" writing system proceeds apace (although I'm not quite sure why). Here are the latest culprits: Chinese (BBC); Harappan (BBC); Olmec (in the New World, from ScienceDaily).

Ancient Writing Systems

Ancient Scripts of the World is the premier website on ancient languages and writing systems. Its author, Lawrence Lo, is a software engineer with a love of linguistics (and degrees from Stanford and Berkeley). He's had versions of this site up since 1996 (about the same time I started this page), and it's proven immensely helpful to my students since then.

Ancient Languages and Scripts is essentially a links page; there's some overlap with mine, but if you're interested in a writing system I don't cover, this could help you find it.

Omniglot, a guide to writing systems includes information on different kinds of writing (alphabets, syllabaries, etc.), as well as a section on undeciphered systems and one on "alternative" writing systems like Klingon and Tolkien's Tengwar Elvish script. Our head librarian, Lisa Casto, found this site for me, and I'm eternally grateful.

Logoi.Com. This is a commercial language-instruction company which features a number of articles on different aspects of writing and language history. Visit both their articles page and their links.

Deciphering Writing Systems

Michael Ventris deciphered Linear B as Greek in the 1950s.

The Linear B Tablets and Mycenaean Social, Political, and Economic Organization provides a description of the tablets and what they show about the history of the Bronze Age in Greece and Crete. This is from Jeremy Rutter's much larger page on the Prehistoric Archaeology of the Aegean from Dartmouth.

Jean Francois Champollion gets most of the credit for the decipherment of the Rosetta Stone, and consequently of Egyptian hieroglyphs.

Text of the Rosetta Stone and an Image of the Rosetta Stone; see also the BBC's page on the decipherment of Egyptian glyphs.

The Decipherment of Egyptian Hieroglyphic Text by Thayer Watkins at San Jose State: a straightforward account of the story.

David Stuart: Copán in the Decipherment of Maya Hieroglyphic Writing

David Stuart on Tatiana Proskouriakoff's Breakthrough (QuickTime; from the PBS Nova page on The Lost King of the Maya)

Maya Hieroglyphic Writing from the Foundation for the Advancement of Mesoamerican Studies, Inc. This page provides a brief introduction to Mayan glyphs, and links to more comprehensive sources.

Decipherment of Cuneiform Script from the Cuneiform Digital Paleography Project --a joint project of Birmingham University and the British Museum. Good examples of Cuneiform tablets can be found on The Cuneiform Inscriptions from the special collections in the library at the University of Minnesota.

Wikipedia's article on Decipherment may be helpful, especially if you're unclear on the process.

Epigraphy--the study of ancient documents

Script, Image, and the Culture of Writing in the Ancient World is a page from The Centre for the Study of Ancient Documents at Oxford University; it provides some images of ancient papyrus and stone documents, chiefly from Greece and Egypt, but others (including a Roman fort on Hadrian's Wall, Vindolanda, linked under everyday life in ancient Rome, below).

Wikipedia has a decent introductory page on the field of Epigraphy, with some good links.

Here's a fun memory game involving glyphs from Ancient Scripts.

Gallimaufrey (a collection of odds and ends--from the French culinary term, galimafrée)

Parpola, Asko. "The Indus Script." I can't vouch for the accuracy or scholarly integrity of this site, but it's well designed and interesting. The Indus Valley script, from Harappa in what is now Pakistan, is one of those perennial enigmas in epigraphical history--like the Phaistos Disk and Linear A. Perhaps this guy is on firmer ground than those who claim to have deciphered the latter systems.

Santos, Hector. "A Philippine Leaf." This page focuses on the history of language and writing in the Philippines.