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Week 2: Realism, Impressionism, and the Impact of the CameraUpdate complete 07.17.10 Heilbrunn
Timeline of Art History thematic
essays from the Met (TOAH) Bolded images are those for which you are responsible on the exam (i.e. included on the print slide list). Realism Gustave Courbet, Burial at Ornans, 1849 (PBS Culture Shock page on this painting)
Edouard Manet, Luncheon on the Grass (Dejeuner sur l'herbe), 1863 Warning: the link is to a page called "Hooker Heroes" which features a biography of Manet's model. CGFA has a good scan of the image without the commentary.
Thomas
Eakins, The
Gross Clinic, 1875
Winslow Homer, Veteran in a New Field, 1865. Both links are to the Met, including a thematic essay on Homer. Timothy O'Sullivan, Harvest of Death, 1863. Although we'll consider photography later in the lecture, the stark realism of the new field of war photography shows rather graphically how new technologies can help to change our perceptions about world events. For more information on Civil War Photography, see the linked page from the Library of Congress. Impressionism Precursor Joseph Mallord William Turner, The Burning of the Houses of Parliament, 1834
Impressionism
in France
For a good introduction to Impressionism and the public response to it, see Mark Harden's very helpful pages from the Artchive: The First Impressionist Exhibition, 1874, and check out Color in Art for further information on optics and color in modern painting. Pierre-Auguste Renoir Sr. Wendy Beckett's article on Renoir is available through the Artchive.
Claude Monet, La Grenouillere, 1869
Edgar
Degas, Rehearsal
of the Ballet Onstage 1874. See also the Webmuseum
page on Degas'
Ballet Dancers, and the Artchive
page on Degas, with an essay by Robert Hughes.
Impressionsim
afforded many women a chance to exercise their creativity, perhaps
because it didn't require as much time in the studio. There's
probably an article on this somewhere, and I'll post it if I find
it. At any rate, Morisot is the best known of the women in the
movement. Many American women also gained recognition--some of
these (including Mary Cassatt) are listed in the section below
on American Impressionists. See also Wet Canvas's page on Morisot,
and the National
Gallery of Art's collection (good images, but not much information).
American
Impressionists working in France
Frederick Frieseke (Terra Museum)
Mary
Stevenson Cassatt (TOAH); see also the Cassatt
page on the Terra Foundation site.
Lilla Cabot Perry (the link is to the Terra Museum's page on Perry, with thumbnail links to the paintings they own.
Henry
Ossawa Tanner. For more information on Tanner, see
this essay: "Henry
Ossawa Tanner and His Influence in America" from the
Traditional Fine Arts Organization of Arizona.
Photography Thomas Moran and William Henry Jackson in Yellowstone As I mentioned last week, the recent airing of Ken Burns's new video series, The National Parks: America's Best Idea reminded me of the role artist Thomas Moran (of the Hudson River School) and photographer William Henry Jackson played in the selling of the idea of Yellowstone National Park to Congress. Here are a couple of websites devoted to their work:
Photography:
A Brief History (sorry
for the formatting problems below; I'll fix them later.)
Joseph Nicéphore Niépce View from the Window at Le Gras (reproduction based on a 1952 print. The link is to a lengthy article on the photo and later attempts to print it.) Louis
Jacques Daguerre (1787-1851). The
Daguerrian Society.
Unknown. Daguerreotype of an Odalisque, c. 1840s (Thanks to Amanda Henson for locating this.) William
Henry Fox Talbot (1800-1877)
The link is to the Met Timeline essay.
Maxime
du Camp (1822-1894).
Colossus
of the Temple of Re, Abu Simbel, 1850. This image
is from the Met's exhibit Along
the Nile: Early Photographs of Egypt.
Anna Atkins (1799-1871) biography from the Getty Museum.
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